Review perspective. Original criticism by Hattie Lindert / Pitchfork.
Hattie Lindert’s October 23 review for Pitchfork considers Fine’s second solo album, Jazz dreams. The piece places the Danish musician in the context of Copenhagen’s experimental pop community and her work beyond her own records. Lindert’s central observation is how the album makes established forms—guitar pop, lounge and older song traditions—feel slightly unfamiliar through its pacing and atmosphere. Her review also considers the relationship between formal musical training and a more open-ended approach to performance. This Soundwave overview reports that published critical argument; it does not assign an independent score. Read Lindert’s original article for the full analysis and individual song discussion.
Read the original Pitchfork review.
Album artwork via Pitchfork. Copyright remains with the artist and record label.
